“Kozak’s instruments tend to be, in the spirit of American composer Harry Partch, mutated versions of the familiar, whether twirling hoses that render an airborne layer of sound or mini-versions of concertina accordions. Their capabilities are limited but distinctive, resulting in ethereal sounds that meld willingly with traditional instruments and give them a whole new cast.”

“'Composition for Sigh-Chordians and Strings’ is a beautifully evocative piece that pairs the eerie sounds of the wind with the focused tones of string instruments. It proffers an arching structure that is delineated through the rising and falling of intensities and speeds, and it travels through time with an hypnotic power over the listener. Kozak’s sense of unfolding form is flawless… and his ear for the imaginative layering of propulsive rhythms is impeccable.”