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    2018 Board Recording of "Children of Metropolis" concert 1:03:48
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The Age (Melbourne)

The Age (Australia) 

REVIEW: All-Star World Percussion Spectacular. 

Sidney Meyer Music Bowl. 

By CLIVE O’CONNELL, Reviewer 

Before Evelyn Glennie emerged for a brilliantly modulated bongo solo, Scrap Arts Music from Canada gave a display of their craft. 

Using an anything-goes approach as sound-source, this quintet have the total package: near-faultless command of their instruments, a unanimity of ensemble that even from a distance impresses as extraordinary, and athletic choreography that obviously requires just as much conditioning as any physically draining sport. As later with Glennie, students were incorporated into the action, the whole corps bringing off an exciting sonic mix of rhythmic interplay and juxtaposed sounds from the most finely polished scrap metal I ever seen. It’s a pity the musicians have complete their appearances here. Even for the percussively jaded, this group is a knock-out.

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Scrap Arts Music acknowledges with respect that we live and carry out our work on the lands of Indigenous nations throughout colonial British Columbia and North America. Our places of creation and work are located on the unceded, ancestral, and traditional territories of the W̱SБNEĆ and Lkwungen-speaking peoples. We acknowledge that the historical relationship to the land and territories of these peoples continues to this day.

 

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